Drift and Bough

Drift and Bough

00.
2014-10-28
.
7 min

Lynne Sachs spends a winter morning in Central Park shooting film in the snow. Holding her Super 8mm camera, she takes note of graphic explosions of dark and light and an occasional skyscraper. The stark black lines of the trees against the whiteness create the sensation of a painter's chiaroscuro. Woven into this cinematic landscape, we hear sound artist Stephen Vitiello's delicate yet soaring musical track which seems to wind its way across the frozen ground, up the tree trunks to the sky. — “I spent a morning this winter in Central Park shooting film in the snow. The stark black lines of the trees against the whiteness creates the sensation of a painter’s chiaroscuro, or a monochromatic ‘tableau-vivant.’ When I am holding my super 8mm camera, I am able to see these graphic explosions of dark and light” (Lynne Sachs).

Storyline

Lynne Sachs spends a winter morning in Central Park shooting film in the snow. Holding her Super 8mm camera, she takes note of graphic explosions of dark and light and an occasional skyscraper. The stark black lines of the trees against the whiteness create the sensation of a painter's chiaroscuro. Woven into this cinematic landscape, we hear sound artist Stephen Vitiello's delicate yet soaring musical track which seems to wind its way across the frozen ground, up the tree trunks to the sky. — “I spent a morning this winter in Central Park shooting film in the snow. The stark black lines of the trees against the whiteness creates the sensation of a painter’s chiaroscuro, or a monochromatic ‘tableau-vivant.’ When I am holding my super 8mm camera, I am able to see these graphic explosions of dark and light” (Lynne Sachs).
Released
2014-10-28
Runtime
7 min
Budget
$0
Revenue
$0
Language
Unknown
Status
Released
Production
Unknown
Directors

CASTS

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